|Weight (gsm)||Sizes||Color Palette||Texture||Aging|
|50||15cm, 20cm, 30cm, 40cm, 60cm||8 colors||Glittery; handmade look||Unknown|
|Wear and Tear||Memory||Forgiveness||Tensile Strength||Bending Restistance|
|n/a||8 / 10||8 / 10||9 / 10||8 / 10|
|9 / 10||8.5 / 10||8.5 / 10||9.5 / 10||8 / 10||9 / 10||9.5 / 10|
Tissue Foil is a rare product. The combination of the stiffness and strong memory of the foil, with the look and agility of the tissue paper makes a promising paper to answer many of our paper-folding needs. For year now the only solution to obtaining tissue foil was to make your own and many still do.
To make some, you have to bond foil (sold as a kitchen product) with whatever Tissue paper you have. Truth be told, it's a lot of hassle, and it's difficult to obtain a perfect result. That is why we were happy to see what may be the perfect solution - Ready Made Tissue Foil.
It is sold exclusively in Nicolas Terry's online shop (origami-shop.com), and everything about it is kept secret. I know it is made by a Thai paper mill, but have no idea where, or what the ingredients are. All I can say about the paper is purely from our experience folding it, but is it good as it should be?
Although all colors are sold under the same title, there are some major differences between the various colors, and sometimes between same colors but different sizes. This may be due to the manufacturing process or variations in the materials used. However, since it is sold together as a pack, we will consider that as one paper type, with variations.
Texture: The tissue side is a bit rough, and has the look and feel of a high end handmade paper. The pulp was spread unevenly, as can be seen with some back light. The foil side doesn't appear to be a real foil, but more like a sprayed metallic color has been applied. This is a guess, but it is reinforced by the glitter that stuck to my fingers during folding. It also seems that every sheet or batch of sheets is soaked for a different length of time in the paint. This causes each color to behave a little differently. The brown is stiff while the Champagne is soggy. All other colors are in between, but more on the stiff side.
Supporting my guess about how it is made, the paper is slightly translucent. I put the white paper on a book and I could read the title. All the other papers allow a little light to go through (see the detail of the Pineapple tessellation).
Unlike foil, there is no sharp reflection from the foil side. Although it has a matte finish, it glitters in the light.
It felt like overkill - the paper is too good to be used for simple models as such. Nevertheless, if you can afford it - it is highly recommended.
The push mechanism worked just fine with the dog (made from Gold paper).
The bird, from Champagne paper held its wings, but looked a bit tired, so to speak.
I used the Brown paper for the frog, but I was unable to determine the direction of the grain by hand. It is the stiffest paper, and the frog I made performed many somersaults, but didn't jump very far.
Surprisingly, it works wonderfully well with tessellations.
Back lighting shows that this is no real foil.
I decided to use the golden paper, with the shiny side up. I have never folded such an accurate grid. Usually the paper tends to distort while being folded with many parallel lines, but not this paper. There was little difference between “with” and “against and both were very easy to reverse. My hands were covered with golden dust during the process, which strengthens my theory about the foil side being sprayed. Pre-creases went perfectly well; the crease line on the tissue side is highly visible, and the diagonal lines tend to fall exactly on all the crossings of the grid. The collapse was easy with all the outer molecules. The centre molecules are usually difficult to handle, but here it was no big deal. Again the paper keeps its square proportions, so all molecules look the same and undistorted. The final result, as well as the process, is very satisfying!
I saw no point in making the sheet smaller, so 40 cm was the size. “Being a mythical creature”, my wife said, “go with the shiny side”, so I, obediently, did. Folding went easy, it's like the paper is helping you, going exactly where you want it to go. “Can it be that good?,” you ask yourself in the process. The sinking of the belly was done sharply. The shaping of the legs, head and tail went well, but for the tiny details of the hooves I still felt the paper was too thick.
The tissue side textures are expressive and unique.
Although this is a very strong paper, I got a tear at the tip of the left ear.
Yeah, it's not the usual size, but I didn't want to cut it. I had a difficult time choosing - not only the color, but also which side up. I chose the brown/bronze paper, and the tissue side up From the first fold, the experience was wonderful! It's a perfect paper for box pleating. Every step is just easy. Reversing a fold - a piece of cake. Open sink - no problem. Close sink - just the same. The wing tips are so sharp - what a pleasure!
The blue tissue foil gave me a fight in the last steps, since the unicorn is made with many layers of paper, as you can see in the head. The final shaping holds well, as one can expect from a paper that has foil in its name.
Making the details of the dwarf`s face asked for many stretches and pulls with a tweezers and no tears occurred. With the Champagne it was not easy to reverse folds. The final shaping holds well, as one can expect from a paper that has foil in its name.
I made the units using 4 colors. The brown behaved perfectly. Easy to fold, reverse fold and the puff went well. The curved surface of the unit is very strong. The light gold was too soft. It was folded alright but the tabs felt too weak. Assembling went well, and the final result is just lovely.
I chose the wrong paper - the champagne color. It is too weak to hold the rat on its legs. This paper is softer than the other ones, and I found that reversing a fold is a bit tedious. But beside that all went just flowingly. It is an excellent paper to fold with.
It is a simple model, and the paper made it even easier to fold. Shaping the ears, legs, head and tail using the foil advantages is easy, but I was surprised to see the legs open up to the sides more than I thought it would. That is why I decided to try some wet folding. Yes, wet folding on a foil paper seems to be useless but here it worked perfectly. Since I used the tissue side on the outside, it did absorb some humidity that allowed me to shape the legs at will. After just a few minutes it was dry and well shaped!
Foil papers are made to make 3D animals easily, so I tried to dry fold this model. For this model, and the way Giang teaches his models, there are no definite instructions: “fold around here to somewhere in between”. So I got the head too little, but the general shape as well as the legs and body contour went very well. The paper is strong and stiff enough to be shaped at will.
This is definitely a favourite. One of the best papers we have ever tested or used. It's as if it was made for origamists. Hey, wait, it IS made for origamists, and it is doing its job perfectly. It's strong, yet thin; it is stiff, yet folds easily; it has a beautiful palette of colors, and it comes in all the right sizes.
Folding simple models is an easy task, as well as simple action models. For modulars it has the look as well as the friction to hold units together. 3D models benefits from its foil side for shaping and the Tissue side for the texture. For complex models it is highly suitable, making you a better folder. For tessellations it is surprisingly excellent. It's easy to fold an accurate grid and it has a “snap into place” collapse. Like any other foil paper it's not really suitable for wet folding, but for extra shaping a little spray of water works very well.
In flickr - 1,555 results came from searching for Tissue Foil, but most are handmade papers. I narrowed it down by adding “Terry” to the search, and got 229 images. In both cases Tissue Foil is used for 3D animals and complex models, many are insects. It is rarely used for complex stars, and neither real tessellation nor modulars have been spotted.
Bottom line: one of the best!
as selected by Sara Adams
as selected by Sara Adams